Abattoir [Nuun 2011], by Aspec(t) ‎

Abattoir [Nuun 2011]

by Aspec(t) ‎

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1.	Limitrofie 01:26	buy track
2.	Asymmetric mimicry 02:28	buy track
3.	La bestia inafferabile 04:02	buy track
4.	Lightfoot 00:33	buy track
5.	Strategies of disappearence 05:34	buy track
6.	Contratti o sabotaggio 03:04	buy track
7.	Black body 04:18	buy track
8.	Noisy-le-grand 02:05	buy track
9.	Noisy-le-sec 00:53	buy track
10.	Intorno al drago 04:23	buy track
11.	Welcome to the new barbarian 06:13	buy track

about

....ça pourrait être Keith Fullerton Whitman et Mat Pogo plongés dans le mazout. Parce que les collages du duo Mario Gabola (sax, minicassette, feedbacks, etc.) / SEC_ (bandes, samples, feedbacks, etc.) sont extatiques, sombres, frénétiques, et même parfois... lugubres !
Leurs bidouillages violents font remonter une bile de velours noire qu’on ignorait être en nous. Leur noise est bestial (des cris sont mixés à des aboiements) et leur langage inquiète plus que deux raisons. Abattoir, c’est encore les carcasses de Soutine au balcon et les fantômes de Bacon en sautoir. Inutile de dire qu’il est urgent d'aller voir l’exposition...
(Pierre Cécile pour Le son du grisli, 2011)

credits

released December 12, 2011

Cover [Image] – Mariagrazia Capozzi

Recorder [Revox Tape Recorder], Computer [Samples], Performer [No-Input Feedback Manipulated On Tape], Edited By, Mixed By, Mastered By – SEC_

Saxophone [Feedback & Acoustic], Tape [Minitape], Performer [Self-Made Electroacoustic Chain Of Feedback-Drums And Piezo-Speaker Feedback] – Mario Gabola

Note
Recorded in 2011 at A Spirale’s basement studio in Napoli, Italy.
Edited, mixed and mastered at SEC_'s home studio.

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about

Aspec(t) Naples, Italy

Cut'n noise, tape music, improv electroacoustic band, from 2008.

"...ai nostri giorni il mattatoio è come un battello che porta il colera. Vittima la brava gente che sopporta solo la propria bruttura, con un malsano bisogno di pulizia, di piccineria biliosa e di noia: in eslio per corretezza in un mondo amorfo, senza più niente d'orribile, subendo l'ossesione indelebile dell'ignominia..."(G.B.) ... more

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